An excerpt from, "The Darkening Age: The Christian Destruction of the Classical World by Catherine Nixey" By Tim Whitmarsh, The Guardian, December 28, 2017:
“The theologian,” wrote Edward Gibbon in his classic The History of the Decline and Fall of the Roman Empire, “may indulge the pleasing task of describing Religion as she descended from Heaven, arrayed in her native purity. A more melancholy duty is imposed on the historian. He must discover the inevitable mixture of error and corruption, which she contracted in a long residence upon earth, among a weak and degenerate race of beings.” Gibbon was a child of the European Enlightenment, and he viewed his task as a historian of early Christianity as a dispassionate, scientific one: to see things as they are, rather than as the pious would want them to be. The conclusions he reached were, perhaps inevitably, controversial in his day. The pre-Christian Roman empire, he believed, was characterised by “religious harmony”, and the Romans were interested more in good governance than in imposing religious orthodoxy on their many subjects. A distinctive feature of early Christianity, by contrast, was for Gibbon its “exclusive zeal for the truth of religion”, a blinkered, intolerant obsessiveness that succeeded by bullying and intimidation, and promoted a class of wide-eyed mystics. Indeed, Christian zealotry, was, he thought, ultimately responsible for the fall of the Roman empire, by creating citizens contemptuous of their public duty.
This spirit permeates Catherine Nixey’s book. In her view, the standard modern picture of the Roman empire’s conversion remains, even 200 years after Gibbon, glossed by Christian triumphalism. History, she believes, has given the Church an undeservedly easy ride. Pre-Christian Rome tends to be imagined as cruel, arbitrary and punitive; it is thought to be, in her fine phrase, “a chilly, nihilistic world”. Christianity, conversely, is painted as brave, principled, kind, inclusive and optimistic. The task she sets herself – her own melancholy duty – is to rip away this veneer and expose the error and corruption of the early Church.
This is also, however, a book for the 21st century. What concerned Gibbon was the clash between faith and reason; for Nixey, the clashes are physical ones. This is, fundamentally, a study of religious violence. Her cover displays a statue of Athena deliberately damaged: its eyes have been gouged and its nose smashed, and a cross has been etched into its forehead. The story of this defacement is told in her prologue and reprised in her final words. The events happened in Palmyra in the late fourth century, when some of the oasis city’s magnificent temples were repurposed as sites of Christian worship. Her choice to begin in Palmyra is, of course, a careful one. When she speaks of the destruction wrought on the architecture of the Syrian city by “bearded, black-robed zealots”, the reader thinks not of marauding fourth-century Christian fundamentalists but of television images from recent history.
Video Title: Darkening Age : The Christian Destruction of the Classical World. Source: Study of Antiquity and the Middle Ages. Date Published: April 4, 2021. Description:
In this journey Catherine Nixey takes us into the early Church and to the very heart of the Roman Empire.
From fanatical zealots attacking and destroying temples to harsh laws put in place by theocratic officials we see the origin and destruction of not just the classical world, but classical civilization itself.
In Harran, the locals refused to convert. They were dismembered, their limbs hung along the town’s main street.
In Alexandria, zealots pulled the elderly philosopher-mathematician Hypatia from her chariot and flayed her to death with shards of broken pottery. Not long before, their fellow Christians had invaded the city’s greatest temple, smashing its world-famous statues and destroying all that was left of Alexandria’s Great Library.
